Classes

Faculty 2019
Devin Kawaoka | Acting, Script Analysis |
Nurit Monacelli | Movement |
Caitlin Ryan O'Connell | Directing (Script Analysis, Stage Composition) |
Tom Pacio | Acting |
Doug Paulson | Voice and Speech |
Max Reuben | Playwriting, Soundpainting |
Tommy Schrider |
Text Analysis |
Actors
Actors gain practical tools that they can begin to apply to their varied projects. They meet for class daily, with the core classes being acting, voice, text, movement, script analysis and Soundpainting. Classes are taught by leading artists in their fields. The core curriculum is supplemented with workshops, master classes and discussions with artists in residence. Actors are cast in one of the two outdoor productions plus studio projects and workshops.
At the end of the program, actors are cast in new theatrical pieces, developed over the course of the summer by the directors and writers of the training company.
If time and schedules permit, actors are given opportunities to work alongside the professional company as observers and/or readers of stage directions for various projects.
Directors
Directors meet in two sessions, each twice a week, with one session devoted to the reading and analysis of text, and one session devoted to the fundamentals of theatrical composition. Additional classes in acting, collaboration, movement, Soundpainting, and a round table discussion of the Powerhouse season support these sessions.
Directors are also assigned observerships of the rehearsal process for both training company and professional company productions. Each director will have the opportunity to work alongside one of the productions in the Powerhouse season, observing their process as they tackle the challenges of bringing a new project to life.
At the end of the program, directors and writers will collaborate to present a new theatrical piece, developed over the course of the summer, featuring actors from the training company.
Playwrights
Playwrights gain practical tools for generating work by writing and revising new short plays every week, both in and out of a rehearsal process. Additional classes in acting, collaboration, movement, Soundpainting, and a round table discussion of the Powerhouse season support these sessions.
Playwrights are also assigned observerships of the rehearsal process for both training company and professional company productions. Each playwright will have the opportunity to work alongside one of the productions in the Powerhouse season, observing their process as they tackle the challenges of bringing a new project to life.
At the end of the program, writers and directors will collaborate to present a new theatrical piece, developed over the course of the summer, featuring actors from the training company.
Master Classes
Below are some members of the Powerhouse community who have shared their time through master classes and/or talkback sessions designed exclusively for training program participants:
Ayad Akhtar* Ken Barnett Hunter Bell Jocelyn Bioh Sarah Benson Eli Bolin Mario Cantone Michael Cassara Rachel Chavkin Will Davis Sarah Delappe Jeremy Dobrish Erik Ehn Scott Elliot Michael Esper Raúl Esparza Santino Fontana Marcus Gardley Zach Helm Elizabeth Hess Don Holder |
Laura Innes Russel G. Jones Thomas Kail Sheryl Kaller Michael Mayer Joanna Murray-Smith Josh Radnor* Bill Rauch José Rivera Seth Zvi Rosenfeld Steven Sater John Patrick Shanley Duncan Sheik Cotter Smith Cory Michael Smith Cheri Steinkellner Gerard Stropnicky Lucy Thurber Shona Tucker Jennifer Westfeldt Scott Wojcik |
*former Powerhouse Training Program Participant